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Poetry Aloud Here 2: Sharing Poetry with Children

Poetry Aloud Here 2: Sharing Poetry with Children

If you are a teacher, librarian, or other adult who uses children’s poetry as an educational tool, Poetry Aloud Here 2: Sharing Poetry with Children by Sylvia M. Vardell is a book you need to know about. This outstanding resource provides educators with tons of practical information on teaching poetry in both formal and informal settings, including including how and why to promote poetry to children, strategies for presenting poetry to kids, what kinds of poems children enjoy, biographies of many important children’s poets, follow-up activities, web resources, and so much more.

This revamped and expanded edition of the original Poetry Aloud Here! details best practices gleaned from years in the field, with numerous suggestions that cross the curriculum from literature to science and math, and includes expanded lists of poems, in-depth poet profiles, book-poetry pairings, and other tools useful for programming and collection development.

About the Author

Sylvia M. Vardell is currently Professor at Texas Woman s University in the School of Library and Information Studies, where she teaches graduate courses in children s and young adult literature. She has published articles in Book Links, Language Arts, English Journal, The Reading Teacher, The New Advocate, Young Children, Social Education, and Horn Book, as well as several chapters and books on language and literature. A presenter at many state, regional, national, and international conferences, Vardell organizes the “Poetry Round Up” session at the Texas Library Association conference. She received her Ph.D. from the University of Minnesota in 1983.

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My Mouse is Misbehaving

my-mouse-is-misbehaving

My mouse is misbehaving
and my keyboard’s on the fritz.
The computer’s not computing,
but is dropping bytes and bits.

The hard drive’s click-click-clicking
and the printer’s spitting ink.
The CD’s started stuttering.
The screen is on the blink.

The memory is failing.
Things are grinding to a halt.
And, even worse, I realize
it’s probably my fault.

I thought it would be funny.
It was really just a joke.
I never thought the whole computer
might go up in smoke.

I guess I learned my lesson:
When it comes to your PCs,
it’s best if you don’t ever try
to feed the mouse some cheese.

Laura E. Richards, the First American Children’s Nonsense Poet

Laura E. Richards

Laura Elizabeth Howe Richards was an American writer of the late 19th century who published more than 90 books. Born on February 27, 1850, she is best known for the nonsense poems she created for children to enjoy, such as “Eletelephony.”

Laura Richards’ parents were famous before she was born. Her father was Samuel Gridley Howe, who ran the Perkins Institute for the Blind where Helen Keller and Laura Bridgman were educated. (In fact, he named his own daughter after Laura Bridgman.) Her mother, Julia Ward Howe, wrote the words to a famous song called “The Battle Hymn of the Republic.” When Laura Richards grew up, she and her sister wrote a biography of their mother that won a Pulitzer Prize.

In addition to writing many poems and works of fiction, Richards was a philanthropist. She was very concerned about finding ways to help the people in the town where she lived with her husband. For example, Richards helped to change the practice of making children work at difficult jobs as if they were adults, which was common at the time.

One of Richards’s best books of nonsense poetry is called Tirra Lirra. The poems in this book use techniques like rhythm, alliteration, and startling imagery to tell an imaginative story.

Here is the poem “Eletelephony,” in which Richards uses several funny and surprising variations on the word “elephant.” This technique gives us the impression that the poet has gotten all tangled up in her words, just like the elephant gets his trunk tangled in the telephone—or was it a telephunk?

Eletelephony

Once there was an elephant,
Who tried to use the telephant—
No! No! I mean an elephone
Who tried to use the telephone—
(Dear me! I am not certain quite
That even now I’ve got it right.)
Howe’er it was, he got his trunk
Entangled in the telephunk;
The more he tried to get it free,
The louder buzzed the telephee—
(I fear I’d better drop the song
Of elephop and telephong!)

My Favorite Words by Kenn Nesbitt My Favorite Words

my-favorite-words

Spatula.
Linoleum.
Persnickety.
Bermuda.
Cattywumpus.
Flabbergasted.
Fuddy-duddy.
Gouda.

Nincompoop
and scuttlebutt.
Kerfuffle
and gazebo.
Dipthong.
Macadamia.
Skedaddle
and placebo.

Spackle.
Grackle.
Folderol.
Galoshes.
Dollop.
Frizzle.
Uvula.
Mustachioed.
Jacuzzi.
Juju.
Swizzle.

Tighty-whitey.
Hoity-toity.
Hurly-burly.
Spleen.
Piggly-wiggly.
Artsy-fartsy.
Namby-pamby.
Preen.

That’s my list
of favorite words,
the greatest
words around.
I really don’t care
what they mean.
I love the way
they sound.

A Valentine for Mom

a-valentine-for-mom

I bought a box of chocolates
for my mother’s valentine;
a giant, heart-shaped package
with a flowery design.

They had them at the market
and I got the biggest one.
I nearly couldn’t pick it up.
It must have weighed a ton.

I had to use a shopping cart
to haul it from the store.
At home I almost couldn’t
even fit it through the door.

I gave it to my mother
and you should have seen her eyes!
I clearly had impressed her
with my chocolate box’s size.

That carton was gargantuan —
the largest I could find —
but not because I’m generous
and not because I’m kind.

I didn’t buy the biggest one
to show how much I care.
I bought it just to guarantee
my mom would have to share.

We Go Together by Calef Brown

We Go Together: A Curious Selection of Affectionate Verse by Calef Brown

As Children’s Poet Laureate, one of my jobs is to select a collection of poetry each month to feature on the Poetry Foundation’s website. There you’ll find my monthly book picks, and those of the previous Children’s Poets Laureate. My pick for February, 2014 is We Go Together: A Curious Selection of Affectionate Verse by Calef Brown.

Interview with Children’s Author and Illustrator Calef Brown

In addition, I interviewed Calef about his life as a poet and about his new book. Here is what he had to say.

How to Write an “I Can’t Write a Poem” Poem

I Can't Write a Poem

Here’s a type of poem that absolutely anybody can write, even if you’re sure that you have no idea how to write a poem. That’s because it’s a poem about not being able to write a poem! You won’t even have to think up a title for this poem, since you can use the very first line as the title.

The key to success in writing this type of poem is to let your imagination go wild. Your poem might start off with an ordinary excuse, but as the poem goes on, the excuse can get crazier and crazier.

Here are a few different first lines you could use to begin your poem:

Over the River and Through the Wood: An Anthology of Nineteenth-Century American Children’s Poetry

The following is a guest post written by Karen L. Kilcup, Professor of English, The University of North Carolina at Greensboro, and Angela Sorby, Associate Professor of English, Marquette University. I’m very excited about this new anthology published by Johns Hopkins University Press, so I thought I’d let them tell you about it in their own words.

Over the River and Through the Woods

Who could resist a poem that opens like this:

Have Angleworms attractive homes?
Do Bumble-bees have brains?
Do Caterpillars carry combs?
Do Ducks dismantle drains?

Charles E. Carryl’s “Memorandrums” typifies the animated, modern spirit of our new anthology, Over the River and Through the Wood. We began our project not only because we admire the writing—its ease, its playfulness, its innovation—but also because we realized how many nineteenth-century children’s poems are still vital to Americans—parents and grandparents as well as their children. From the title poem to “Mary’s Lamb” to “’Twas the night before Christmas” (“Account of a Visit from St. Nicholas”), many of the verses in Over the River remain part of our collective consciousness, even if we can’t immediately identify the sources. I remember my own grandmother singing “Over the river and through the wood,” though she changed the second line: “To grandmother’s house we go.” Since she prepared the Thanksgiving turkey and mountains of vegetables and pies, I imagine that she felt just fine about this substitution. Our collection includes some other wonderful holiday poems, including one delicious ode to turkey dinner (Cooke’s “Turkey: A Thanksgiving Ode”) and a comic ballad from the bird’s perspective, “The Turkey’s Opinion.” Of course there’s far more to the anthology than holiday poems, but many of the most beloved, familiar pieces live in that section. Many of our poems offer major contributions to America’s literary tradition, including works by authors whom we don’t ordinarily associate with children, such as Charlotte Perkins Gilman and Sarah Piatt.

One children’s poem, “Mary’s Lamb” was actually the first sound recording ever made by Thomas Edison; you can listen to a scratchy, slightly later version by Edison here. Sarah Josepha Hale’s famous poem draws from a real story about a girl bringing her pet to the Redstone School, now in Sudbury, Massachusetts. You can visit the school from mid-May through mid-October.

Rudyard Kipling

Rudyard Kipling

Rudyard Kipling (December 30, 1865 – January 18, 1936) was a British writer who spent part of his life in India. He wrote many books and poems, some of which are still very popular today. Later in his life, Kipling was the first English writer to be given the Nobel Prize for Literature.

Some of Kipling’s most famous writings were about the experience of war. In his poem “Boots,” Kipling uses the same words repeatedly in a rhythm that sounds like soldiers marching. Try reading the first three lines of the poem out loud to hear the rhythm for yourself:

How to Include Poetry in Your Family’s Holiday Traditions

Holiday Season

The winter holidays can be a fun and exciting time for both kids and adults. This year, why not integrate poetry into your family’s celebrations of the season? Add literary flair to your family’s traditions by including poems in your festivities.

Here are three simple ways to incorporate poetry into your seasonal celebrations.